One of many extra participating figures in Ondi Timoner’s 2022 documentary, “The Final Flight House” — in regards to the resolution of her 92-year-old father, Eli Timoner, to make use of California’s end-of-life choice — was the director’s sister, Rachel. A rabbi, Rachel Timoner introduced a pastoral heat and non secular perception to the sorrows and joys, rites and non secular reckoning of a household honoring their beloved’s departure.

Now, with “All God’s Youngsters,” Timoner offers her older sister an affirming however unsentimental close-up. Nonetheless, this documentary isn’t a household memoir piece. As an alternative, Rachel Timoner, the chief rabbi of Brooklyn’s historic Congregation Beth Elohim, shares high billing with Reverend Dr. Robert Waterman, the lead pastor of Brooklyn’s equally storied Antioch Baptist Church, in Brooklyn’s Bedford-Stuy neighborhood.

The establishments are a mere 4 miles aside, however their leaders goal to traverse the broader gulfs of racism and antisemitism. “All God’s Youngsters” follows this Jewish girl and this Black man as they attempt to unify their congregations in worship — it doesn’t go smoothy — which makes this easy movie so consequential and instructive.

The 2 leaders are close to in age and status. Sen. Chuck Schumer attends Beth Elohim. Rep. Hakeem Jeffries has visited Antioch. So has New York Legal professional Normal Letitia James. Every has a maverick sensibility. (“God is past gender,” the rabbi tells a category of college children.) That these two would embark on a journey towards better understanding isn’t a shock. What does come at instances as a marvel are the occasions that pinch their fledgling rapport and threaten to upend their quest for communal concord. As one in every of Antioch’s parishioners places it, “Love will carry us collectively, however our traditions will hold us aside.” Quite a lot of instances, his evaluation proves spot-on.

The histories of migrations — Black and Jewish — to Brooklyn are touched upon, the which means of two totally different diasporas engaged. Pogroms and slavery, the Holocaust and the Crimson Summer time that discovered Tulsa’s black neighborhood decimated, are mirrored in acquainted, still-wrenching images and newsreel footage.

In 2019, the 12 months the movie opens, Black residents of Mattress-Stuy had been victims of “deed theft.” The predatory observe permits third-party actors to take the title of a house with out the proprietor’s data, purchase the property and evict the precise homeowners. It had grow to be a device of aggressive gentrification. And regardless of its identify, it was not unlawful in New York. Given the demographics of Brooklyn, a number of the landlords and realtors participating within the act have been Jewish. Nearly all of the injured events have been Black or brown residents. Rabbi and preacher had good purpose to achieve out.

When the parishioners of Antioch go to the CBE (as its affectionately known as by congregants) for the primary time, a musical efficiency by the guests contains the waving of flags. A vibrant yellow one says “Jesus.” What appears harmless sufficient sends Rabbi Timoner and her second, Stephanie Kolin, right into a involved, whispered frenzy: Ought to they are saying or do one thing? Later, when Timoner does converse out at a gathering of individuals from each homes of worship, it’s just a little bumpy.

Nonetheless, all of them persist, and after the flag incident, the congregations go on a shared area journey to D.C.’s Nationwide Museum of African American Historical past and Tradition and america Holocaust Memorial Museum. And whereas there’s a shared acknowledgement of traumas rooted within the histories, the harm and wariness of the flag incident hasn’t totally dissipated.

Halfway by the movie, every congregation visits the opposite’s home of worship throughout celebrations of Passover and Easter. The seder at CBE goes off with nary a hitch, other than some particularly bland matzah balls. However issues go even worse than the flag incident when the Antioch service contains its theatrical retelling of the Christ story with its trial, crucifixion and resurrection. “Ought to we stroll out?” Timoner asks fellow rabbi Stephanie Kolin, sitting miserably in a pew.

After all, there’s sufficient “not getting it” to go round. To learn Antioch’s annual ardour play strictly throughout the context of an extended European custom of antisemitism and “blood libel” is to maybe miss a extra Individuals of Moses-resonant case of how that story of God’s love took maintain within the lives of America’s enslaved Blacks.

Issues get so frayed, a mediator expert in main discussions on antisemitism and racism will get known as in. She makes the journey to Brooklyn from Kansas Metropolis, Mo., greater than as soon as.

Because the difficulties proceed, a viewer can rightly marvel, what on earth possessed Timoner and Waterman to start this journey with such a deep give attention to faith, usually the reason for historical and ongoing enmity? “Perhaps beginning with worshipping collectively was the fallacious first step,” Timoner says considerably sheepishly.

However then because the movie heads towards its conclusion — one that features final October’s terrorist assaults by Hamas and the killing of hundreds of Palestinians by the Israeli authorities — it’s exhausting to think about that any of those individuals would have felt as deeply about one another have been it not for confronting these missteps. There’s a lesson in that, and the movie makes a persuasive case that at the least two Brooklyn congregations and their leaders, have a substantial amount of sensible knowledge to share.