Set to premiere on the Panama Worldwide Movie Pageant (IFF Panama), Félix “Trillo” Guardia’s debut feature-length documentary “The Sorcerer: Julio Zachrisson” celebrates the provocative legacy of Panamanian artist Julio Zachrisson.
Produced by Tomás Cortés of Cine Animal, with the backing of Panama’s Ministry of Tradition, the movie melds animation, archival footage, and interviews to chronicle Guardia’s private quest sparked by childhood reminiscences of Zachrisson’s unsettling but fascinating artworks.
“The primary time I noticed one in every of Zachrisson’s prints, I assumed it was the ugliest factor ever created. Hanging in my grandmother’s elegant front room, the piece clashed with the remainder of the gathering.” Guardia defined in his assertion. “It depicted a graphic scene of a lady defecating on a plate whereas a hungry canine watched her. I used to be 12 years previous, and I’ll always remember the affect it had on me.”
The documentary traces Guardia’s journey from Panama to Madrid, looking for out the artist. The ensuing friendship, portrayed within the movie, provides audiences a mirrored image on “reminiscence, historical past, id, and artwork as a bridge between generations,” the synopsis reads.
“Artwork is ineffective, however we are able to’t reside with out it.” a quote from the artist flashes throughout the display screen within the teaser, soundtracked to a Clave rhythm. We catch glimpses of his work, wealthy with exaggerated human types, expressionistic and surreal however with a story in every to be advised. He describes how he was thought-about a freak in his native Panama leaving in 1953 by no means to return.
Zachrisson handed away in December 2021 at his house in Madrid. “His demise marked a turning level within the movie’s manufacturing, main us to rethink the narrative’s course. We realized that an important factor was to pay tribute to his life and work,” Guardia feedback.
“The Sorcerer: Julio Zachrisson” types a part of an bold transmedia initiative, “The Zachrisson Legacy,” aiming to protect and amplify the artist’s affect throughout varied platforms. The mission additionally consists of “Toro Volandero,” Panama’s first-ever feature-length animated movie impressed by Zachrisson’s graphic universe, scheduled for launch in 2026, and in addition directed by Guardia in addition to interactive museum exhibitions and a complete digital archive of Zachrisson’s works. It displays a swarm of curiosity within the artist who has had little to do with cinema, apart from catching the attention of Abner Banaim (“Plaza Catedral”) for his quick doc “Zachrisson,” from 2016.
“I need the viewers to really feel the identical shock and fascination I did once I first encountered his work,” Guardia says. “I need them to query their very own perceptions and dare to see past the floor.”
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